In recent years, there’s been a preoccupation with roughness in architecture; in tools, in textures, and in materiality—potentially as a response to the indistinct disenchantment with the ubiquity of ‘smooth’ digital imagery. The discipline is beginning to think about using things the way that they were not intended to be used, and therefore having to stay within certain rule sets and certain prescriptive forms of practice. Episode 2: SCI-Arc History Theory Coordinator, Marrikka Trotter, speaks