Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
ScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Stephen Soderbergh’s Presence takes a step outside the haunted house genre with the bold choice to tell the story from the ...
If you’re suffering yourself, you notice the suffering of others more acutely.” For director Steven Soderbergh, “Presence” ...
Often the camera operator on his own films, the Oscar-winning director of "Traffic" had an idea for a first-person horror ...
The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...
Steven Soderbergh is a tough director to pin down. Now, the Oscar winner is taking on a ghost story called Presence.
Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.