Faces Of Death — Apr. 10 (Select Theaters): Queer director/writer duo Daniel Goldhaber & Isa Mazzei remake the underground ...

The sun shone brightly on the vi­brant community of Okuetolor in Delta State as friends and family members gathered to witness the union of John Igho and Blessing Unuaye Igho in a traditional ...

The 1979 musical tells the story of Eliot Rosewater (Santino Fontana), a millionaire who drunkenly decides to blow his fortune on the inhabitants of an impoverished town after being inspired by the ...

Sometimes the production of a seldom-staged musical seems to have been waiting in the wings to finally “meet the moment.” A time when it can enter the collective consciousness of a current audience ...

The bold horror movie is facing a rough start. When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. Industry insiders suggest the film could ...

Maggie Gyllenhaal’s monster mash The Bride! opened in theaters last Friday, but it’s already become a living nightmare for the acclaimed writer-director. Forbes‘The Bride!’: Stars Who Played Bride Of ...

It’s alive, but it’s not exactly showing signs of life. Set in the 1930s, “The Bride!” follows a very lonely Frankenstein’s monster (Christian Bale) and his undead love interest (Jessie Buckley) as ...

Disney and Pixar’s environmental adventure “Hoppers” topped the North American box office this weekend with $46 million in domestic ticket sales in its opening weekend, according to studio estimates ...

Jessie Buckley in 'The Bride!' Warner Bros. It was a complete rejection by moviegoers around the world this weekend as Maggie Gyllenhaal‘s $80 million bride of Frankenstein monster movie The Bride!

SUNDAY AM WRITETHRU: Pixar original’s Hoppers leaped to a $46M U.S./Canada opening, the best seen for a Pixar original as well an original animated movie since 2017’s Coco. Global was also big at $88M ...

Horror is alive and well, though this week’s box office proved even the genre can suffer a few wounds. The results were mixed and divisive, with audiences largely failing to connect with the 1930s ...