Review: Director Leigh Whannell's new 'Wolf Man' lacks bite
“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.
The themes within “Wolf Man” are far blunter than “Invisible Man,” but it will be interesting to see if Whannell continues to ...
When a close friend succumbed to motor neuron disease, Australian filmmaker Leigh Whannell channelled his grief into his ...
"Wolf Man" has moments of suspense and psychological tension but leans too heavily on jump scares and a weak story, says film ...
The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal ...
Leigh Whannell shares his admiration for Indian cinema, discusses its fearless approach to genre-blending, reveals his ...
Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was ...
It’s a full moon at the box office. Universal and Blumhouse’s “Wolf Man” reboot has made $1.4 million in Thursday previews so ...
Director Leigh Whannell explains exclusively to RadioTimes.com why he wanted to use prosthetics for the new film.
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