Sholay screenwriter Javed Akhtar speaks about what makes the film so memorable, even now. He recalls how people would laugh ...

When dialogues, characters and scenes become part of popular folklore, woven into the tapestry of national memory that rolls ...

When dialogues, characters and scenes become part of popular folklore, woven into the tapestry of national memory that rolls ...

Farah Khan's end credits sequence may not answer all the big questions, but they do make it fun to recognise that the film ...

Sholay went on to become the highest-grossing Indian movie at the time and was called a “blockbuster of all blockbusters” ...

Editor M S Shinde deserves full credit because, I'm told, Ramesh Sippy had shot 300,000 feet of footage, which was brought ...

Sholay, to me, is not the towering epic it became in the history of cinema. It is the film that breathed in the spaces ...