His work is distinguished by its meticulous focus on flagship devices, particularly Google Pixel and Samsung mobile hardware ...

Opera today launched its subscription-based, AI-focused Neon browser, which joins a growing field of companies touting agentic browsing capabilities. Opera first previewed Neon in May and is now ...

When discussing the Android browser wars, the conversation usually revolves around Google Chrome’s dominance and popular ...

Celebrities gathered to celebrate the Metropolitan Opera’s new season, which opened with “The Amazing Adventures of Kavalier & Clay.” Celebrities gathered to celebrate the Metropolitan Opera’s new ...

Sept 30 (Reuters) - Opera (OPRA.O), opens new tab on Tuesday launched Neon, an artificial intelligence-powered browser that can execute tasks and run code inside web pages, adding to the intensifying ...

So, Google and Qualcomm are bigging up what's basically a desktop version of the former's Android OS for smartphones (via 9to5Google). The idea, apparently, is to fuse "mobile and PC" into a single ...

ROCHESTER — Get ready for sweaters, crunchy leaves, apple cider, and a whole lot of music at Porchfest 2025 on Sunday, Sept. 28 from noon to 5 p.m. The free annual outdoor music festival will take ...

This is read by an automated voice. Please report any issues or inconsistencies here. In 1949, choreographer Jerome Robbins phoned Leonard Bernstein with an idea for updating “Romeo and Juliet” into a ...

Performances in N.Y.C. Advertisement Supported by Theater Review Andrew Lloyd Webber’s “The Phantom of the Opera” returns to New York in an immersive spectacle, as silly as it is thrilling. By Alexis ...

Taking a look back at this week’s news and headlines across the Android world, including Galaxy S26 Ultra leaks, Samsung’s privacy pixels, Snapdragon Summit summary, OnePlus 15 launch, the Magic8’s AI ...

Mears plays mostly by the Puccini/Giacosa/Illica rulebook of love and terror in totalitarian Rome - foolish the director who would throw the musically and ...

The schlock-gothic Andrew Lloyd Webber megahit returns to keep Phans on their toes. For the rest of us, this immersive production is neither fun nor emotionally resonant. Jeff Kready and Anna Zavelson ...