The most impressive thing about The Bride!, Maggie Gyllenhaal's feminist revamp of The Bride of Frankenstein, is how thoroughly ill-conceived it is. This movie fails at everything. There is not a ...

Mary Shelley’s Frankenstein focused on Victor Frankenstein, as well as the creature he created, but what about the creature’s long-awaited companion that never was? In The Bride!, director Maggie ...

Verdict: Maggie Gyllenhaal’s "The Bride!" reimagines Bride of Frankenstein as a gothic romance about identity, agency and love. Set in 1930s Chicago, it follows resurrected Ida and lonely Frank in a ...

Add Yahoo as a preferred source to see more of our stories on Google. At the end of Shelley’s novel, Frankenstein’s monster yearned for companionship, begging his master to create him not just a ...

In “The Bride!” Maggie Gyllenhaal fails to breathe new life into a classic source material. Landing in theaters March 6, actress and filmmaker Maggie Gyllenhaal’s sophomore directorial project trips ...

No less imaginative is the importation of the story from Europe to midcentury America. This allows the film to include among its sights rollicking nightclubs, decadent parties, and grand movie palaces ...

The premise of The Bride! is hidden from its advertising. Writer-director Maggie Gyllenhaal opens on Mary Shelley (an acidic Jessie Buckley) stuck in a black-and-white purgatory of sorts, only her ...

At just 18, Mary Wollstonecraft Shelley wrote her first and most famous novel, Frankenstein; or, The Modern Prometheus. 208 years later, Shelley's story is still captivating us, inspiring hundreds of ...

Frankenstein’s female creature, also known as “the Bride”, was the first female monster to appear on screen, in the 1935 Frankenstein sequel: The Bride of Frankenstein. An unruly and rebellious figure ...

Even before Ida (Jessie Buckley) becomes a black-bile-spewing revenant, you wouldn’t call her a proper lady. At a shady gin joint in Chicago, 1936, she’s vacant-eyed, slurring, and lurching in her ...