In this second part of our interview with Gez Medinger, the co-director of AfterDeath, we cover script development, locations and the difficulty of casting a small ensemble feature.

This is one of eight clips on making a mini-documentary. Things to think about 1. Have you ever interviewed anyone? Did you plan what questions you were going to ask them? Why?

I talked to the movie's editor, Tom Cross, about the role of someone in his position, long days working with Chazelle, and how a film can change drastically from script to screen.

TIFF: Shailene Woodley, Ben Foster and director Potsy Ponciroli tell TheWrap about making their dialogue-free action movie ...

To all the aspiring documentary filmmakers with cameras in your hand, passion in your heart, and a brain screaming, “God! Where do I start!” Take a deep breath, because it only gets better ...

A Filmmaker reader recently emailed me with a simple question. After going to film school, making some shorts and working conspicuously within his means, he’s now written a script purely from the… ...

When Matthew Heineman approached his first narrative feature film “A Private War,” the fact that the story depicted physically dangerous and emotionally challenging situations was nothing new ...

What happens when you give two young filmmakers the same script two each make their own movie? This new reality show from Starz aims to find out.

"I think it's always important for me to show something genuine, show the person that I love and their real side," said ...